Vesalius: 500 Years of Innovation: Related Books

Considered the best biography on Andreas Vesalius.

This book is dedicated to the 500th anniversary of the birth of Andreas Vesalius (1514-1564).

This is the first English-language book on the subject of European anatomical illustration to be published in more than 50 years.

Ludwig Choulant
Mortimer Frank
Fielding H. Garrison
Edward C. Streeter
Charles Singer

Toward the end of the Middle Ages, medical writers and philosophers began to devote increasing attention to what they called "women's secrets," by which they meant female sexuality and generation. At the same time, Italian physicians and surgeons began to open human bodies in order to study their functions and the illnesses that afflicted them, culminating in the great illustrated anatomical treatise of Andreas Vesalius in 1543. Katharine Park traces these two closely related developments through a series of case studies of women whose bodies were dissected after their deaths: an abbess, a lactating virgin, several patrician wives and mothers, and an executed criminal. Drawing on a variety of texts and images, she explores the history of women's bodies in Italy between the late thirteenth and the mid-sixteenth centuries in the context of family identity, religious observance, and women's health care.Secrets of Women explodes the myth that medieval religious prohibitions hindered the practice of human dissection in medieval and Renaissance Italy, arguing that female bodies, real and imagined, played a central role in the history of anatomy during that time. The opened corpses of holy women revealed sacred objects, while the opened corpses of wives and mothers yielded crucial information about where babies came from and about the forces that shaped their vulnerable flesh. In the process, what male writers knew as the "secrets of women" came to symbolize the most difficult challenges posed by human bodies-- challenges that dissection promised to overcome. Park's study of women's bodies and men's attempts to know them--and through these efforts to know their own--demonstrates the centrality of gender to the development of early modern anatomy.

This book provides the first annotated English translation from the original Latin of Andreas Vesalius' China Root Epistle. Ostensibly his appraisal of a fashionable herbal remedy, the China Root Epistle concentrates on Vesalius' skeptical appraisal of traditional Galenic anatomy, which was based on animal rather than human dissections. Along with reflections about his life as a young anatomist, Vesalius argued that the new science of anatomy should devote itself less to rhetorical polemics and more to the craft of direct observation based on human dissection. This volume provides annotations to link the Epistle with Vesalius' earlier and more famous work, On the Fabric of the Human Body, and includes illustrations from the famous woodcuts first used in the 1543 edition of the Fabrica.

Because of their spectacular, naturalistic pictures of plants and the human body, Leonhart Fuchs's De historia stirpium and Andreas Vesalius's De humani corporis fabrica are landmark publications in the history of the printed book. But as Picturing the Book of Nature makes clear, they do more than bear witness to the development of book publishing during the Renaissance and to the prominence attained by the fields of medical botany and anatomy in European medicine. Sachiko Kusukawa examines these texts, as well as Conrad Gessner's unpublished Historia plantarum, and demonstrates how their illustrations were integral to the emergence of a new type of argument during this period--a visual argument for the scientific study of nature.   To set the stage, Kusukawa begins with a survey of the technical, financial, artistic, and political conditions that governed the production of printed books during the Renaissance. It was during the first half of the sixteenth century that learned authors began using images in their research and writing, but because the technology was so new, there was a great deal of variety of thought--and often disagreement--about exactly what images could do: how they should be used, what degree of authority should be attributed to them, which graphic elements were bearers of that authority, and what sorts of truths images could and did encode. Kusukawa investigates the works of Fuchs, Gessner, and Vesalius in light of these debates, scrutinizing the scientists' treatment of illustrations and tracing their motivation for including them in their works. What results is a fascinating and original study of the visual dimension of scientific knowledge in the sixteenth century.  

"An unusual collaboration among distinguished art historians and historians of science, this book demonstrates how printmakers of the Northern Renaissance, far from merely illustrating the ideas of others, contributed to scientific investigations of their time...."